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Week in Review

Publishing

Tim Cross 19 April, 2024

19 04, 2024

The WIR: Netflix Reports on Ad Growth, Sony Lines Up Paramount Bid, and Axel Springer CEO says “Don’t Fear Google, it’s Already Won”

16 04, 2024

Video Made Up Nearly a Quarter of US Digital Ad Spend Last Year

15 04, 2024

Are Publishers and Buyers Ready for the Demise of Third-Party Cookies?

12 04, 2024

The WIR: Amazon Touts 200 Million Ad Reach on Prime, BuzzFeed Has High AI Ambitions, and ProSieben Begins Selling Off Non-TV Assets

8 04, 2024

It’s Time for Publishers and Advertisers to Get to Grips with Tech Lab’s New Video Ad Definitions

5 04, 2024

The WIR: Roku Patents New Pause Ad Tech, Paramount Enters Exclusive Talks with Skydance, and Reach Describes Meta as ‘Potent Threat to Society

4 04, 2024

What Publishers Can Learn from Broadcasters When it Comes to Data Collaboration

28 03, 2024

The WIR: Sony Launches FAST Channels in Europe, ProSieben Rejects MFE’s Proposal to Split its Business, and S4 Reports a Tough 2024

22 03, 2024

The WIR: TF1 Plans International Streaming Launch, Disney Forges Direct Programmatic Paths with DSPs, and Apollo Bids $11 Billion for Paramount Studios

19 03, 2024

Publishers Look to Diversification Amid Falling Video and Display Revenues

More from VideoWeek

The WIR: Netflix Reports on Ad Growth, Sony Lines Up Paramount Bid, and Axel Springer CEO says “Don’t Fear Google, it’s Already Won”

Impact Media Launches with Attention-Based Guarantee Model

More Promising Signs for European TV as MFE Sees Ad Growth in Italy and Spain

Live Rights Are the Goal for FC Barçelona’s New Streaming Service

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