In this week’s Week in Review: Disney+ adds to its slate of partnerships with European broadcasters, Omdia predicts that global TV and digital video revenues will pass $1 trillion in 2030, and Ofcom finds that UK adults are changing how they interact with social media.
Top Stories
Disney+ Adds Italy’s Rai and Spain’s RTVE to European Content Partnerships
Disney+ has struck a partnership with Italian public broadcaster Rai, to bring content to the streaming service immediately after its linear broadcast. The news comes a few days after Disney announced another deal with Spanish public broadcaster RTVE, bringing a selection of its shows to Disney+ in Spain, including the local version of MasterChef.
“This collaboration reflects our commitment to working closely with Europe’s greatest free‑to‑air broadcasters, bringing their high‑quality local storytelling to younger and new audiences,” said Karl Holmes, General Manager for Disney+ EMEA.
The partnership spree sees Disney expand its offering of local content in European markets, while giving the broadcasters a popular streaming platform on which to distribute their programming. Disney has previously made content deals with ITV in the UK, ARD and ZDF in Germany, SIC in Portugal, and Atresmedia in Spain.
Global TV and Online Video Revenues Set to Reach $1 Trillion by 2030
Total global TV and online video revenues are set to reach $1 trillion by 2030, up from $775 billion in 2025, according to new data released by media researcher Omdia, with growth in online video advertising accounting for a large portion of this growth.
Linear TV ad revenues are expected to fall from $123 billion last year to $113 billion in 2030, according to Omdia’s figures. But digital video ad revenues, including social video and CTV advertising, are projected to rise from $309 billion to $540 billion over the same timeframe. As a result, advertising will account for a significantly larger slice of the revenues generated in the global video and TV market.
Alongside advertising’s growing role, Omdia says it’s notable how mobile-first, short-form, and highly personalised video experiences will grow their revenue share. “The industry is undergoing a profound transformation,” said Maria Rua Aguete, head of media and entertainment at Omdia. “Social video advertising is becoming the dominant force, reshaping how content is consumed and monetised. Meanwhile, traditional models such as linear TV and pay TV are in structural decline.”
UK Adults Reduce Social Media Activity Amid Growing Screentime Concerns
While social media usage remains widespread in the UK, adults are reducing their activity on these platforms, becoming more passive consumers of content rather than active posters, according to new Ofcom research released this morning.
While 89 percent of UK adults use at least one social platform, only 49 percent say they actively post, share, or comment, down from 61 percent in 2024. Internet users are becoming more concerned about negative side effects from being online, with 67 percent saying they sometimes spend too long on their devices. Only 59 percent say they think the benefits of being online outweigh the downsides, down from 72 percent last year. And just 36 percent believe social media is good for their mental health, compared to 42 percent last year.
The qualitative portion of Ofcom’s research also found a continued rise in self-reported YouTube viewing, with some men in particular stating that YouTube is either the main or only content they watch, and that it’s becoming more of a hub for watching a range of content types. This includes using YouTube as ‘background’ viewing alongside work or other activities, sometimes as a replacement for daytime TV.
The Week in Tech
Samsung Ads Launches TotalView for Tracking Reach Across Linear and Streaming TV
Samsung Ads, the advertising arm of Samsung’s media business, has announced a new solution for advertisers seeking clarity into the performance of their TV campaigns. Launched this week, TotalView provides a unified view of reach across linear and streaming, within the Samsung Smart TV ecosystem. In the context of ongoing fragmentation of viewing in TV environments, the company said advertisers have been calling for a unified view of reach across linear and streaming TV. According to Samsung Ads, TotalView combines signals from millions of Samsung Smart TVs, creating a dataset that can be used to enable smarter planning, precise targeting, and more holistic campaign measurement. Read more on VideoWeek.
Australian Government Investigates Social Media Firms for Disobeying Under-16s Ban
The Australian Government has accused Meta, TikTok and Google of disobeying the ban on social media for under-16s, and has placed the tech firms under investigation for potential non-compliance with the rules. One-third of children in Australia still have at least one social media account, according to a survey of 900 parents reported by The Guardian. “What we are seeing is evidence of the absolute bare minimum from social media companies, it’s straight out of the big tech playbook,” said Australia’s communications minister Anika Wells. “They obfuscate, they try to throw doubt on any regulation.”
Nexxen Launches Cross-Platform Planning and Activation Solution Nexxen TV
Ad tech firm Nexxen has launched Nexxen TV, a cross-platform planning and activation solution designed to enable advertisers and agencies to find an optimal split between streaming and linear TV media. The solution includes a Nexxen TV Home Screen tool for its exclusive native Smart TV units, a cross-platform planner that uses the company’s nexAI solution to optimise cross-platform allocation, and unified measurement for a holistic view of campaign results.
Criteo Gives SMBs Full Access to Self-Serve Platform
Criteo, a commerce intelligence business, has expanded its GO platform with full self-service access for small and medium-sized businesses (SMBs) and growth-stage commerce brands. Criteo GO is designed to simplify activation and dynamically allocate budgets across display, video, native and social channels. Using the self-serve platform, advertisers can create an account, enter billing details, and launch campaigns “in as few as five clicks”, according to Criteo.
Yahoo Builds AI Tools in DSP for Performance Advertisers
Yahoo is building out a range of new AI tools within its demand-side platform (DSP) for performance-focused advertisers, Adweek reported on Tuesday. The company did not disclose details but is reportedly hiring a dedicated team to build out these offerings, which include automated options for activating and managing media. “AI is enabling us to better support existing customers while making our technology accessible to a broader range of advertisers, and we will share more when ready,” a Yahoo spokesperson said in a statement.
Instagram Tests Extra Story Features for Paying Subscribers
Instagram is testing a new premium subscription that gives paying users access to exclusive features, Bloomberg reported on Monday. These paid perks include the ability to view another person’s Story without them knowing, and extend a Story’s availability by an extra 24 hours. “Our hope from these tests is to understand what’s most valuable to people in a premium feature set,” said an Instagram spokesperson.
The Week in TV
RTL Offers Concessions to Speed Up Sky Deutschland Takeover Clearance
RTL Group has offered concessions to the European Union relating to its planned takeover of Sky Deutschland, in an effort to address competition concerns and speed up the approval process for the deal, Reuters reported this morning. Details of these concessions haven’t been disclosed, though sources close to the deal told Reuters that one option might be outsourcing ad sales to third parties. An emailed statement from a European Commission spokesperson confirmed that commitments have been received, and the provisional deadline for the Commission to take a decision is now set for April 22nd. Read more on VideoWeek.
US Broadcasters Warn That Free TV Viewers Could Lose Major Sports Events to Big Tech
Major US broadcasters have urged regulators to address the trend of Big Tech companies acquiring the rights to broadcast football, baseball and other sporting events, arguing that these shifts could block access to major sports events and weaken local TV news. The comments came in response to a Federal Communications Commission (FCC) review into the growing shift of live sports away from broadcast networks. Fox responded that free TV viewers could eventually lose access to the World Series, Thanksgiving NFL football games or the Olympics, citing “a world where Big Tech acquires more and more broadcast sports rights – often as a loss leader to support other massive, vertically integrated businesses that primarily profit off of the personal consumption data of its customers.” Meanwhile Sinclair told the FCC: “Without high-value live sports on broadcast television, local broadcast journalism will suffer.”
EBU Warns Against Czech PSB Funding Cuts
A coalition of international media organisations led by the European Broadcasting Union (EBU) has warned against proposed reforms to public service broadcaster (PSB) funding in the Czech Republic, Broadband TV News reported last week. The reforms under discussion by the Czech Government, which include slashing licence fee contributions, are being positioned as a transitional step towards the full abolition of the licence fee model. The EBU argues the move risks undermining both financial sustainability and editorial independence. The intervention comes amid wider debate across Europe over PSB funding. Last month, a referendum in Switzerland saw voters reject a proposal from the political right to cut public media funding.
Disney+ Adds Italy’s Rai to European Content Partnerships
Disney+ has struck a partnership with Italian public broadcaster Rai, to bring content to the streaming service immediately after its linear broadcast. Disney has previously made content deals with ITV in the UK, ARD and ZDF in Germany, SIC in Portugal, and Atresmedia and RTVE in Spain. “This collaboration with RAI will bring Disney+ customers in Italy an even broader selection of incredibly iconic local shows,” said Karl Holmes, General Manager for Disney+ EMEA.
Roku Launches Howdy Streaming Service as Mobile App
Roku has launched a mobile app version of its paid ad-free streaming service Howdy in the US. Available for iOS and Android devices, the app gives subscribers on-the-go access to Howdy’s film and TV library, extending the service beyond the Roku platform. Howdy is priced at $2.99 per month, which Roku described as the lowest price point for an ad-free streaming service in the market. The service includes titles from Lionsgate, Sony Pictures and Warner Bros. Discovery, including Hollywood movies Edge of Tomorrow and When Harry Met Sally.
Versant Eyes Acquisition of Vox Media’s Podcast Network
Versant Media, the Comcast spin-off that owns CNBC and MS NOW, is among the suitors looking to acquire Vox Media’s podcast business, according to the NYT. Other companies are said to be interested in Vox Media’s portfolio of websites that includes Vox.com, The Verge and Eater, while others are interested in New York magazine. The talks are still in their early stages, according to people familiar with the negotiations, and may not result in a deal.
The Week for Publishers
Future Plc Shares Plummet as Google Traffic Drops Faster Than Expected
British publisher group Future Plc released a six month trading update this week, reporting that revenues for the company’s fiscal H1 are expected to be in-line with management’s expectations. But the company said that declines in Google search traffic, seemingly caused by the growing presence of AI products within Google’s search interface, have been harsher than expected. CEO Kevin Li Ying said Future is investing in ‘Google Zero’ products to protect against the change. “Whilst we are disappointed with the impact of the
changes in the search ecosystem on our near-term trading performance, we are making good progress in executing the elements of our growth strategy that are in our control,” he said. Investors however seem cautious, as Future’s share price fell by nearly 30 percent following the announcement.
Ozone Launches AI Innovation Engine ‘Ozone Labs’
UK publisher sales house Ozone this week announced the launch of Ozone Labs, a new collaborative initiative to investigate how AI might impact future product and commercial models in the publishing and marketing sectors. This will include building product prototypes and trialling new business models, with the aim of integrating successful capabilities into Ozone’s core ads business. The company says its work will focus on three areas:
- Research: Benchmarking and white papers exploring how publishers’ content is sourced, valued and used within LLM ecosystems, with deep-dive research programmes delivered in tandem with individual publishers.
- Labs Live: Partner hackathons co-created with brands, agencies and publishers, where collaborative teams sprint to build working prototypes around shared challenges, and pushing the boundaries of what is possible. Pilot events are planned in the US and UK.
- Projects: An openly accessible collection of prototypes, concepts and evaluations in active development. Not all will become products, but sharing work-in-progress is central to the Labs ethos, with open-source outputs wherever possible. This will include tests and evaluations of ad-tech innovations such AdCP and ARTF.
Reddit Expands Pro Tools for Publishers, Citing Success
Social sharing site Reddit this week announced it is expanding access to its suite of Pro tools for publishers, designed to help media companies share their content and gain traction on Reddit’s platform. The company started piloting these tools last September, and said that publishers involved in tests have seen median post views increased by 46 percent and profile views nearly doubled compared to their pre-tool baseline. While Pro tools were previously only available via a waitlist, any publisher can now sign up by verifying their domain.
The Guardian Launches Feast on Substack
UK newspaper the Guardian has made its first step onto publishing platform Substack, cross-posting its weekly food newsletter ‘Feast’ via a dedicated Substack. The Guardian’s head of newsletters Toby Moses described the move to Press Gazette as somewhat experimental. “What we don’t know about Substack is, is this a new audience? Are these people that aren’t familiar with The Guardian, aren’t already engaging with our journalism? And the only way we can find that out is by trying it out,” he commented.
The Week for Brands & Agencies
WPP Media Launches AI-Driven YouTube Tool ‘YouTube 5K’
WPP Media on Wednesday launched ‘YouTube 5K’ (YT5K), a new AI-powered solution which the media agency says will significantly speed up some of the most time-consuming elements of running campaigns on YouTube. The product, which has been co-developed with Google, will use proprietary AI-assisted technology to handle channel curation and creative versioning. It will be available to WPP Media clients through its Media Solutions team, though the agency group plans to integrate YT5K into its company-wide platform WPP Open in the future. Read more on VideoWeek.
Brands Seek More Clarity on Use of AI
While many brands are keen on adopting AI tools and technologies, most want clearer guidance on how it should be used and when they need to disclose its usage, according to a WFA survey of 17 multinational brands representing $71 billion in cumulative ad spend. Seventy-eight percent said they’re already using AI in external marketing creative, and 87 percent are using it for product images. But around 80 percent of those surveyed said they want global guidance on transparent usage of AI. Sixty-one percent said they’re unsure about their regulatory obligations, while many expressed uncertainty around consumer expectations (46 percent) and industry best practice (39 percent). The WFA has released new voluntary best practice guidance alongside the research.
Microsoft Hands Global Media Business to Publicis Groupe
Tech giant Microsoft has picked Publicis Groupe to handle its global media account, Ad Age reported this week, which was previously run by Dentsu. It’s another big win for Publicis and a significant loss for Dentsu, as Microsoft spent over $450 million on measured media last year, according to MediaRadar data cited by Ad Age. Dentsu will however reportedly retain media duties for Microsoft’s Xbox gaming brand.
Omnicom’s CEO Ties Pay to Share Performance
Omnicom CEO John Wren’s payment structure was overhauled last year, with his base salary reduced to $1 back in June, and his pay becoming reliant on a one-time stock option valued at over $69 million at the time it was granted. The change was designed to tie Wren’s remuneration more directly to the performance of Omnicom’s stock, according to Storyboard18, as his payment in the coming years will be tied directly to rises in Omnicom’s share price.
Advertisers Become More Wary of Making Green Claims in the EU
The European Union’s upcoming Empowering Consumers in the Green Transition Directive, which will come into force in September, is making advertisers more wary about communicating their sustainability credentials, according to a WFA survey of 17 leading consumer brands. A lack of clarity around the requirements of the directive was the most commonly cited challenge, while some brand said they’re worried that existing products already in market might be retrospectively accused of breaking the law unless they’re sold before the law comes into effect. The directive is driving significant action however, as seventy percent of those surveyed said they are implementing changes to their commercial communications, while half have adjusted their environmental claims and labels.
EMEA Consumers Cut Back Spending, Though Younger Generations Are Most Optimistic
Just over half of EMEA consumers cut back their spending last year, according to Dentsu’s latest EMEA Consumer Navigator Mindset report, as economic conditions caused them to rethink some of their spending habits, compared to 20 percent who said they increased their spending. And sentiment about the current state of the economy are overall negative, with 66 percent saying their country’s economy is either not in very good shape, or in terrible shape. But younger generations are the most optimistic: 53 percent of Gen Z respondents to Dentsu’s survey said their economy is in either excellent or good shape, compared to just 27 percent of Boomers.
Hires of the Week
Canal+ Hires Anne-Laure Tingry as Chief Data and AI Officer
French TV business Canal+ has announced Anne-Laure Tingry as its new Chief Data and AI Officer. Reporting to CEO Maxime Saada, Tingry will be responsible for leading the group’s data and AI strategy across all markets and overseeing the rollout of related projects. She joins from Orange, most recently serving as EVP of the Smart Mobility Services Business Line.
Monks Names Alex Oberberg CRO EMEA
Monks, the operating brand of S4 Capital, has appointed Alex Oberberg as Chief Revenue Officer for EMEA. Effective immediately, Oberberg will lead the region’s commercial strategy, focusing on scaling Monks’ AI-driven systems for global enterprise clients. He most recently served as Head of Marketing at the Public Investment Fund (PIF).
Immediate Appoints Heather Payne as Chief Tech and Product Officer
UK publishing group Immediate has named Heather Payne as Chief Technology & Product Officer. She will work on developing Immediate’s digital products and capabilities to drive audience growth through increased use of data, personalisation, and new products and services. Payne was previously Founder and CEO of Toast91, an AI safeguarding platform for supporting vulnerable users.
This Week on VideoWeek
VideoWeek Podcast: #56 Rhys McLachlan, ITV
ProSiebenSat.1 Takes Multi-Platform Approach with New ‘Total Reach’ Focus
RTL Offers Concessions to Speed Up Sky Deutschland Takeover Clearance
Samsung Ads Launches TotalView for Tracking Reach Across Linear and Streaming TV
WPP Media Launches AI-Driven YouTube Tool ‘YouTube 5K’
Ad of the Week
1664 Blanc, Many Beers Taste Good, Only One Has Good Taste
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